Our first programme for the month of March, in recognition of the contribution of female composers to the world of music, featured works by five women from varied backgrounds and circumstances: Maria Antoine Walpurgis who used her political clout to advance her music, Princess Anna Amalia of Prussia, her royal position and connections; while Louise Farrenc, Professor of Music at the Paris Conservatoire for 30 years in the 19th century not only produced quality compositions but managed to achieve equal pay for men and women at the Conservatoire. Marie Jaëll had the good fortune to study composition with the likes of César Franck and Camille Saint-Saëns and achieved recognition through sheer persistence and hard work, while Florence Price persevered against the odds of being both female and Afro-American in the USA in the first half of the 20th century.
Our adventures into these little-known worlds will be balanced by a return to “Old-favourites” – Beethoven, Mozart, and Tchaikovsky – for the second programme of the month. Who wrote the better music? Look up the notes and listen to the recordings posted below after the session. You might be surprised at the conclusion you come to.
Bill Squire.
Maria Walpurgis - Overture to Talestri Queen of the Amazons
Princess Anna Amalia - Flute Sonata in D
Maria Jaell - Cello Concerto
Louise Farrenc - Sextet for Piano and Winds
Florence Price - Piano Concerto in One Movement
Session Notes - 28th March
Beethoven - Leonora Overture No.3
Mozart - Violin Concerto No.4
Tchaikovsky - Rococo Variations
Beethoven - Wellington's Victory