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October - Puccini's 'Turandot'

20/10/2017

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Our Opera group reconvened for an October opera. The DVD was Puccini’s Turandot. This lavish production, staged  by Zeffirelli at the New York Metropolitan Opera, was a delightful treat with the inimitable James Levine conducting and the lead male role of Calaf sung by Placido Domingo. None of us had heard either of the female leads before and so were delighted with Eva Marton as Turandot and the beautiful interpretation of the slave girl Lui by Leona Mitchell. Although this version was filmed in 1989 it is still probably the best.

Turandot, an Asian princess, refused to marry unless a princely suitor could answer three riddles that she gave him. If he failed he was executed – a high price to pay for love! Many had died but Calaf, an unknown prince, took the riddle test and to Turandot’s displeasure answered correctly. However, he declined to marry her when she told him how distasteful it would be for her. Instead he gave her a riddle which, if she guessed the answer before morning, would cancel her obligation to marry him. She had to find out his real name.

She cruelly sent out servants to find the answer and had the faithful slave girl, Lui, tortured, but Lui killed herself rather than reveal her master’s name. All were horrified by this death and Calaf told the unrepentant Turandot his name giving her the chance to answer the riddle correctly the next day. But the cagey Calaf also kissed her in the moonlight and so broke down her implacable resistance. The next day, Turandot revealed that the secret name was “love” and so the two were married to the joy of the kingdom which was heartily sick of the slaughter of so many young princes.
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Coincidentally we played this opera on “The Day of the Girl”, an annual celebration of girl-power. Fortunately, the girls of today don’t go to such extremes to reject a suitor, but still seem very susceptible to love.

Meg Dillon
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    ​Opera - four wonderful seasons with Meg Dillon

     'Opera - On the Dark Side' (2016)
     'In the Mood for Opera' (which included 19th Century favourties) (2017)
     'Exploring New Operas' (when most operas were based on twentieth century novels or events') (2018)
    'A Night at the Opera - French Style', which explored some of the great nineteenth century French composers like Berlioz, Debussy, Ravel and Poulenc who were interested in opera as a musical form.  Lovely arias, tuneful music, great singers and performances. (2019)

    Scroll through these pages to enjoy, and for those who attended, reminisce about, four courses offered by Meg Dillon, supported by Terry, at their home, DVDs of the best possible versions were  screened with subtitles in English.  Limited to 10 members, participants received a synopsis of the story in the week prior to screening. 

    ​Thank you so much, Meg!  What a truly wonderful program you  developed for our members!  

    Convenor & Contact Details

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    Meg Dillon 5762 6558

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    2nd  Wednesdays from 7.00 pm - Semester 1 only in 2018.  

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