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March - 'Jojo Rabbit'

3/4/2020

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Our film for March was “Jojo Rabbit”, a World War II satire that follows a lonely German boy whose world view is turned upside down when he discovers his single mother is hiding a young Jewish girl in their attic.  Aided only by his idiotic imaginary friend, Adolf Hitler (played by Taika Waititi who wrote the screenplay and directed the film), Jojo must confront his blind nationalism.  It was based on the book “Caging Skies” by Christine Leunens.

All members of the class agreed that the film was clever, with comments on the excellent usage of music.  This was not an easy film, and some did not enjoy it, while acknowledging it as a great film.  Others felt it was the best film they had seen this year.  There was some humour which perhaps helped relieve the blackness of the storyline.  It won an Oscar for Best Adapted Screenplay.

The performance by Roman Griffin Davis as Jojo was extremely good.  He showed the impact of the brainwashing of children, but also how meeting with the young Jewish girl, Elsa, changed his perception of those who he had been taught were “alien”.  One line stands out.  At Jojo’s request, Elsa draws a picture of where the Jews come from – it is a picture of Jojo’s head.  When Jojo questions this, she agrees – it is where they come from, in his head.  We were alerted to how myths and rumours can impact on how people think.  Another line worth noting is Elsa’s comment: “You’re not a Nazi, Jojo.  You’re a 10-year-old kid who likes dressing up in a funny uniform and wants to be part of a club”.

Other comments were around the performance by Jojo’s friend Yorki, played by Archie Yates, Americanisation of some of the dialogue, and some great one-liners from Rebel Wilson’s character.  Shoes played an interesting role in the film, used in one of the most challenging scenes when Jojo finds his mother has been hanged by first seeing her shoes, and later with Jojo, previously unable to tie his own shoe-laces, able to tie Elsa’s.

We felt that a younger audience may not have recognised some of the subtlety, although at one session some young people certainly appeared to enjoy the comedic aspects.  We rated this as 4 out of 5, even those who had not actually enjoyed the film, acknowledging the cleverness and performances.

To keep us in touch while we are unable to meet let’s do the following:
  • Watch a film before 8 April (our scheduled class time).  This can be any film of your choice, from any source available to you
  • On 8 April (our scheduled class time) write some comments on the film to share with the class.
  • Send your comments to the whole of the class.

Joy Shirley
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    About our Film Discussion Group

    Come and join us in 2026 as we discuss films seen at a cinema, via a streaming service or even a television series.  At our classes we discuss anything we have watched during the month.  This provides an introduction to films that may be of interest to others as well as giving an opportunity to compare ideas about films several people have seen.

    Films screened at the Benalla Cinema or Swanpool provide a range of films that could be of interest.  Each week, when the Benalla Cinema films are known I will share some summary and review information to help you choose a film you might find interesting.  In 2026 I will also try to provide some information about the upcoming skills being screened at Swanpool.  When discussing films, we will talk about the features that most appealed to us, such as performance and cinematography.  It may include reasons we found the film not worth seeing and why.  We end the discussion on each film by providing a rating out of 5.

    ​For 2026 there will be a maximum class size of 10.   

    Where upcoming films are known these may be discussed at the class to help select films to watch during the following month, and if several people see the same film, this can add to the depth of discussion. 

    Convenor 

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    Joy Shirley 
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    0417 065 351​

    Meeting times

    2nd Wednesday
    2 pm to 3.30 pm
    U3A  Room 2 

    Guide

    The things we will watch for in viewing the film include:

    Did you enjoy the film?  What in particular did you like?
    Was there anything that you did not like?
    What did you think about the cinematography?
    What did you think of the performances?  Any strong performances that stand out? Any weak performances that spoilt the film?
    Overall rating out of 5.

    Films over time:

    All
    A Call To Spy
    'A Man Called Otto'
    'Barbie'
    'Boys In The Boat'
    'Bridget Jones: Mad About The Boy'
    'Buckley's Chance'
    COVID 19 Virus
    Cruella
    'Death On The Nile'
    'Downton Abbey - A New Era'
    'Dream Horse'
    'Falling For Figaro'
    'Freud's Last Session'
    'From The Vine'
    'Good Luck To You
    'House Of Gucci'
    'Journey To Bethlehem'
    June Again
    'King Richard'
    Leo Grande'
    'Marry Me'
    Member's Choice
    'Mothering Sunday'
    'Napoleon'
    'No Time To Die'
    'Off The Rails'
    'One Life'
    'Operation Mincemeat'
    Penguin Bloom
    'Please Murder Me'
    'Polite Society'
    'Rams'
    'Saltburn'
    'Six Minutes To Midnight'
    'Spencer'
    'Sweet As'
    'The Drowsy Chaperone'
    'The Dry'
    'The Duke'
    'The Father'
    'The Last Duel'
    'Thelma'
    'The Old Oak'
    'The Railway Children'
    'The Taste Of Things'
    'The Voice'
    'Ticket To Paradise'
    'To Olivia'
    'Where The Crawdads Sing'
    'Widow Cliquot'

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We acknowledge the traditional owners of the land on which we meet and pay our respects to their elders - past, present and emerging.
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